Überarbeitetes Plakat zur Ausstellung: Don't call us, We call you (Galerie Krinzinger, 2007). Alle Plakate sind signierte Unikate des Künstlers.
Maß: 59 x 42 cm. Versicherter Versand (Grafik wird gerollt).
Each poster is unique overpainted.
Original Graphic / Poster by Jonathan Meese. Overpainted by Meese in 2004. With Certificate. Shipping (Insurance included).
300,00 €
incl. VAT and free shipping to selected countries
Free shipping to the following countries: Austria, Belgium, France, Germany, Liechtenstein, Netherlands, Spain Show more Show less
Überarbeitetes Plakat zur Ausstellung: Don't call us, We call you (Galerie Krinzinger, 2007). Alle Plakate sind signierte Unikate des Künstlers.
Maß: 59 x 42 cm. Versicherter Versand (Grafik wird gerollt).
Each poster is unique overpainted.
Original Graphic / Poster by Jonathan Meese. Overpainted by Meese in 2004. With Certificate. Shipping (Insurance included).
300,00 €
incl. VAT and free shipping to selected countries
Free shipping to the following countries: Austria, Belgium, France, Germany, Liechtenstein, Netherlands, Spain Show more Show less
Überarbeitetes Plakat zur Ausstellung: Solo für Onkel Schnappi (Galerie Krinzinger, 2004). Alle Plakate sind signierte Unikate des Künstlers.
Maß: 89 x 59 cm. Versicherter Versand (Grafik wird gerollt).
Original Graphic / Poster by Jonathan Meese. Overpainted by Meese in 2004. Shipping (Insurance included).
590,00 €
incl. VAT and free shipping to selected countries
Free shipping to the following countries: Austria, Belgium, France, Germany, Liechtenstein, Netherlands, Spain, United Kingdom Show more Show less
Passend zu den Wiener Festwochen: Jonathan Meese "Wahnreich" Editions-Plakat. Überarbeitetes Plakat zur Ausstellung: Solo für Onkel Schnappi (Galerie Krinzinger, 2004). Alle Plakate sind signierte Unikate des Künstlers.
Maß: 89 x 59 cm. Grafik wird mit Echtheits-Zertifikat ausgeliefert. Versicherter Versand (Grafik wird gerollt).
Edition: Original Graphic / Poster by Jonathan Meese. Overpainted by Meese in 2004. With Certificate. Shipping (Insurance included).
590,00 €
incl. VAT and free shipping to selected countries
Free shipping to the following countries: Austria, Belgium, France, Germany, Liechtenstein, Netherlands, Spain, United Kingdom Show more Show less
Jonathan Meese
1970, born in Tokyo (Japan)
Lives and works in Berlin and Ahrensburg (Germany)
Jonathan Meese’s work resembles a stage. He really lives it up on this stage, completely uninhibited, assuming ever-new roles, new costumes and adopting new dramaturgy. Meese is not just an
extraordinary performer, he also stands out as a draftsman, painter, sculptor, author and stage set designer. It seems that, with the greatest of ease, he has developed his own, unmistakable
idiom in every genre he works with. This idiom lends his work a diversity, a pictorial force and quality which, according to Robert Fleck, hasn’t been seen since Picasso. All of his works share a
humour that tends to be grotesque as well as a powerful, authentic creative drive. Both are informed, even driven by art’s aspiration to rule the world, which he described in 2006 for the first
time as the “dictatorship of art” – something that he himself has postulated ever since..' This refers to the development of a new world order in which art is the law-giving force and free play
is the basis of all life and creation. This utopian approach can be traced like a red thread running throughout all of the artist’s works, bringing together the individual parts of his production
to create a sort of total artwork. Art itself is an utopia, that is to say, a non-site, which stands diametrically opposed to our social reality. And often he tackles things with just as much
inhibition as he shows in his performances. Meese turns canvases into stages on which all manner of figures are united: marching men, often displaying erections, armed soldiers, wildly smooching
animals, prurient-sweet Lolitas or amorphous rulers are recurring figures. With an almost somnambulistic certainty, he spontaneously places the figures and objects directly onto the largest
canvases without any premeditation or preliminary sketches. He unites these contrasts to create a mesmerizing totality which is only able to move in one direction: forward. This is visible also
in the energy-laden gesture and in his placement of figures on the very front edge of the painting. Completely in keeping with the visual attack, the palette has opened up, from his earlier
predilection for more hushed shades to the striking signal colors. Bright yellow, blue, orange, green and red have come to replace black, brown or beige, dominating the new compositions.
Formally, Jonathan Meese remains true to his motifs: the self-portrait, the portrait of the ruler and the multi-figural historical painting are now rendered with much greater freedom. This
material is never a depiction of real conditions but always the opposite. Meese’s paintings are not self-referential, but rather “paintings serving to postulate a ‘weltanschauung’ or to quote the
artist: propaganda material for the “dictatorship of art”. For him, the painting is linked with words with a short text on a dense network of formal and thematic information, lending it an
emblematic dimension.
"Art is a total game ". Detaching himself from this principle, he ornamentalises and caricatures all forms, words and symbols, extracting from their original semantic meaning, in the awareness
that a symbol only has ideological power for as long as it has ideological power, as long as it is read in its specifically historical context. This attitude is provocative and is thus often
criticized as being inadmissible. It is precisely here that the basic misunderstanding is revealed in an approach to this artistic position. Meese is not interested in provocation. With reference
to the taboos of our society, the essence of his aspiration for this artistic position. It is right here that the basic understanding is revealed when it comes to working with this artistic
position. Meese is not interested in provocation. His reference to the taboos of our society is where the essence of his aspiration to utopia is be found, for the taboos refers to the inviolable,
the intangible. And for Meese, this is synonymous with art. (Excerpt from a text by Doris Mampe JONATHAN MEESE: KUNST UND UTOPIE Jonathan Meese: Art and Utopia)
Meese has had some important solo exhibitions including Nationalgalerie Prague, Prague (2015), Museum der Moderne, Salzburg (2013), at the Akademie der Künste, Vienna (2012), the Alte
Nationalgalerie, Berlin (2011), at the Museum of Contemporary Art Miami (2010), Staatliche Kunsthalle Karlsruhe (2007), Essl Museum, Klosterneuburg (2007) Deuchtorhallen, Hamburg (2006) and
others.
Die Hefte respektive Künstlerbücher von Malerstar Jonathan Meese sind selten am Kunstmarkt erhältlich. Aus der frühen Schaffenszeit des Künstlers dürfen wir Ihnen diese im wahrsten Sinne des Wortes vielseitige Edition anbieten. 2001 entstand das dynamische Werk in einer Auflage von nur 40 Exemplaren. Mit dem Charme der Fotokopie, natürlich ist jedes Heft trotzdem individuell mit Fotografien versehen, versprüht es einen spontanen Arbeitscharakter, dem die Hochglanz-Produktionen professioneller Kunstbücher eben nicht aufweisen können.
Faszinierend ist die Konsequenz des vielseitigen Künstlers der auch in der Wortkunst immer wieder zu Höchstleistungen kommt. Sein Wortwitz, gepaart mit großer Ernsthaftigleit und politischem statement können Sie hier nachvollziehen. Hier ist man also nahe an Meister Meese dran. Für Museen und große Sammler des berühmten Künstlers bestens geeignet.
Jonathan Meese:
DER ZED DE LARGE, 2001
Magazine. Paper and collage with photos. Original signed backside
30 x 22.5 x 0.5 cm
9/40
3.900,00 €
incl. VAT and free shipping to selected countries
Free shipping to the following countries: Austria, Belgium, France, Germany, Israel, Japan, Spain, Switzerland, United Arab Emirates, United Kingdom , Liechtenstein, Monaco, Netherlands, South Korea, United States Show more Show less
Jonathan Meese, 1970 in Tokio geboren.
Er studierte von 1995-1998 an der Hochschule für bildende Künste Hamburg. Nach Abbruch des Studiums folgte der Umzug nach Berlin. Seinem ersten großen Auftritt auf der 1. Berlin Biennale 1998 folgten zahlreiche internationale Ausstellungen. Er absolvierte Einzelausstellungen u.a. in Berlin, Wien, New York, London und Hamburg und seine Werke finden sich in zahlreiche öffentliche und private Sammlungen, u.a. Centre Pompidou, Paris, Museum of Contemporary Art, Istanbul, Museum of Contemporary Art, North Miami, USA, Louisiana-Museum of Modern Art, Humlebæk, Dänemark, SMAK, Ghent, Niederlande, Musées de Strasbourg, Strasbourg, Frankreich, Sammlung Falckenberg, Hamburg, Sammlung Goetz, München, Collection of Christine and Andy Hall, Derneburg.
Als revolutionärer Charakter fordert Jonathan Meese die „Diktatur der Kunst“; Der zentrale Gegenstand seiner Arbeit sind Kontroll- und Machtmechanismen politischer Systeme, die er am Beispiel von mythologischen, historischen und popkulturellen Themen immer wieder umkreist. Sein Werk umfasst Malerei, Zeichnung, Installation und Bühnenbild, Skulpturen, Manifeste und Performances.
Jonathan Meese lebt und arbeitet in Berlin und Hamburg.
Stalin erwache ... So der polarisierende Satz auf einem Kreuz. Das von Meese eigens gestaltete Buch lehnt an seinen Arbeiten aus 1999 an. Ganzseitige Abbildungen begleitet von Kommentaren des Künstlers. Die schwarzweiß-Fotografien sind von fabelhafter Qualität und eine wichtige Dokumentation.
Edition / Multiple: Jonathan Meese, Erwin Kneihsl: Gesinnungsbuch ’99 (Hg./publisher Bruno Brunnet, Verlag der Buchhandlung Walther König, Köln). Softcover, 28 x 20,5 cm, 216 Seiten, Edition von 27 Stück, Nummer 16
Eingelegt in einer Original-Kartonbox, mit papiernen Kreuz, 30 x 21 cm, mit Aufschrift Stalin erwache und einer signierter Fotografie Erwin Kneihsls Text auf deutsch und englisch von Isabelle Graw und Jörg Heiser. ISBN: 3883753998
900,00 €
incl. VAT and free shipping to selected countries
Free shipping to the following countries: Austria, Belgium, France, Germany, Liechtenstein, Monaco, Netherlands, Spain, United Kingdom Show more Show less
2005 entstand diese Edition von Jonathan Meese. Das Buch ist einer Auflage von 50 Stück erschienen und wurde ganz unterschiedlich überarbeitet. Somit ist jedes Buch auch ein Unikat.
EN: In 2005, this edition was created by Jonathan Meese. The book was published in an edition of 50 copies. The artist overpainted every book individual. Thus, each book is also unique.
Jonathan Meese
Saalstaatspotokoll I "Naktyr", 2005
Buch übermalt / book overpainted
original signiert / original signed
20.5 x 14.5 x 1 cm
Nr. 8/50
1.200,00 €
incl. VAT and free shipping to selected countries
Free shipping to the following countries: Austria, Belgium, France, Germany, Israel, Japan, Spain, Switzerland, United Arab Emirates, United Kingdom , Liechtenstein, Monaco, Netherlands, South Korea, United States Show more Show less
2005 entstand diese Edition von Jonathan Meese. Das Buch ist einer Auflage von 50 Stück erschienen und wurde ganz unterschiedlich überarbeitet. Somit ist jedes Buch auch ein Unikat.
EN: In 2005, this edition was created by Jonathan Meese. The book was published in an edition of 50 copies. The artist overpainted every book individual. Thus, each book is also unique.
Jonathan Meese
Saalstaatspotokoll I "Naktyr", 2005
Buch übermalt / book overpainted
original signiert / original signed
20.5 x 14.5 x 1 cm
Nr. 3/50
1.200,00 €
incl. VAT and free shipping to selected countries
Free shipping to the following countries: Austria, Belgium, France, Germany, Israel, Japan, Spain, Switzerland, United Arab Emirates, United Kingdom , Liechtenstein, Monaco, Netherlands, South Korea, United States Show more Show less